Clarity in Character. Power in Performance.
Sound post-production studio in Palma de Mallorca specializing in dialogue editing, ADR, and sound editorial for film, television, and documentary projects across Spain and international productions.
Selected Credits
Featured Projects
Services
Services
Core Service
Dialogue Editing
A core area of the studio’s work. The specialists at S’Ona Sonora meticulously edit production sound to build a clean, coherent, and emotionally impactful dialogue track. This includes dialogue cleaning, sync adjustment, pacing refinement, and seamless fill tone, creating a natural and immersive sonic foundation for the entire film.
Recording
ADR & Vocal Editorial
From spotting sessions to final integration, the team at S’Ona Sonora manages the editorial side of ADR and automated dialogue replacement. This includes cueing, editing recorded ADR to match performance and lip-sync, and processing vocals for documentaries, narration, and other media so they sit naturally in the mix.
Delivery
Sound Editorial & Mix Prep
The team at The team at S’Ona Sonora provides essential support by organizing and preparing sound elements for a smooth and efficient final mix. This includes conforming tracks to new picture cuts, preparing stems and deliverables, and coordinating with the re-recording mixer so sessions arrive clean, clearly labelled, and ready for the dub stage.
Selected Credits
A Selection of Projects
For a complete filmography, visit Laura Díez Mora’s IMDb profile.
2022
Los Renglones Torcidos de Dios
Dialogue Editor — Dir. Oriol Paulo
2018
Durante la Tormenta
Dialogue Editor — Dir. Oriol Paulo
2016
Contratiempo
Sound Department — Dir. Oriol Paulo
2015
El Niño
Sound Department — Dir. Daniel Monzón
2014
[REC] 4: Apocalipsis
ADR Editor / Dialogue Editor — Dir. Jaume Balagueró
2013
Enemy
Sound Department — Dir. Denis Villeneuve
2013
Mama
Sound Department — Dir. Andy Muschietti
2012
Lo Imposible
Dialogue Editor — Dir. J.A. Bayona
The Founder
Laura Díez Mora
Founder of S’Ona Sonora and sound designer with over two decades of experience in film and TV. A graduate of ESCAC, she has collaborated with directors including J.A. Bayona, Oriol Paulo, Denis Villeneuve, and Daniel Monzón on over 60 productions.
“We must use sound in films to tell stories, not just to meet technical needs.”
Project Enquiry
Share the project details — current stage, objectives, and delivery context. The specialists at S’Ona Sonora will review them and respond with a clear plan and timeline.